I took a recent excursion to a local fishing lake to get some watery shots and I liked it so much, that I had to go back again. This time though the weather wasn't in cahoots with my intentions, so my attempts at apprehending the setting sun and incarcerating it in my digital casket did not go to plan. That wily old sun.
But as I was making my way out through the undergrowth I came across some reeds that caught my fancy. There was a bit of breeze about the place which didn't look too good on the water surface, so I set up my ever dependable tripod and prepared for some long exposures.
I wanted the surface of the water to be as smooth as possible so I did what I could to minimise the amount of light that was able to enter the lens, thereby extending the exposure as much as I could. This would dissipate the ripples, as they would all blur into each other, thus creating the illusion of a smooth finish, ideally.
I did this by closing the apperture to f/22 and bringing down the ISO to 50, or L as it's known on my camera. I would normally do neither of these things, as they each result in a loss of picture quality, but I decided the ends justified the means. Nothing was going to deter me from my plotted course.
Nothing.
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f/22, ISO 50, 6 second exposure |